Gauguin: Artist of Myth and Dream
Category: Books,Arts & Photography,History & Criticism
Gauguin: Artist of Myth and Dream Details
About the Author Stephen F. Eisenman teaches history of art at the Northwestern University in Evanston, Illinois. He has published several critical studies on modern art and specializes particularly in artistic movements that developed at the end of the twentieth century. Read more
Related
- A Walt Whitman Songbook: A Song of the Rolling Earth for Voice and Piano
- Walt Whitman / Paul Cava: Children of Adam from Leaves of Grass (English and German Edition)
- My Cat Thinks I'm Awesome - A Journal
- Tell It Like It Is - A Journal
- Classroom Music for Little Mozarts -- Student CD, Bk 1: 14 Songs to Bring out the Music in Every Young Child (CD)
- 18 Month Weekly & Monthly Planner: June 2019 - December 2020 Student Daily Planner Schedule Organizer Agenda Calendar Planner Personal Journal
- Student Planner 2019-2020 Calendar Planner: July 2019- July 2020 | Weekly School Planner | Yearly Lesson Planner | Organizer Notebook | Learning & Study Supplies (Academic Planner)
- Academic Planner 2018-2019: Monthly & Weekly Planner 12 Month Writing Journal Notebook Calendar August 2018- July 2019 Time Management School College ... (Midyear 2018-2019 Planner) (Volume 1)
- Monthly and Weekly Calendar Planner: 2019 Schedule Organizer Journal Notebook Fox and Flowers Watercolor Design (2019 planner Calendar)
- How to draw People: with colored pencils
Reviews
This book is the catalogue for an exhibition held in Rome in late 2007, early 2008. The introductory essays are quite interesting insofar as they tackle some rarely studied themes of Gauguin's art, such as his relationship to paper (as a medium supporting his prints or drawings, but also as a source of inspiration through printed reproductions of old masters' works with the birth of photography), his idea of a mythic "golden age" which he supposedly sought in Polynesia (and which may recall the myth of the golden age found in Ancient Rome), Gauguin as a bridge to modernity through his simplification of forms and pure colors heralding Matisse, Derain and the Fauves (this particular aspect is recurrent in any Gauguin study, though), or Gauguin's relationship with Italy (apparently a tenuous one, since he never set foot in Italy, but actually a very important one aesthetically when one takes into account his keen interest in Giotto and Boticelli).On the whole, an interesting book, far from exhaustive on its subject, whith reasonably good half-page illustrations (and some horrendous black-and-white thumbnails though...). Now, the selection of Gauguin's works has very few masterpieces and many average if not minor early paintings, which is a little disappointing, considering the self-proclaimed goal of the exhibition covered by the book (i.e. to explore and illustrate the importance of myth in Gauguin's art).
